Full Biography:
Edgar Meyer
Double bass/composer
Prominently
established as a
unique and masterful
instrumentalist,
Edgar Meyer delights
his audiences both
as a vibrant
performer and an
innovative
composer. Hailed by
the New Yorker
as, “...the most
remarkable virtuoso
in the relatively
unchronicled history
of his instrument,”
Mr. Meyer’s
unparalleled
technique and
musicianship in
combination with his
gift for composition
have brought him to
the fore, where he
is appreciated by a
vast, varied
audience. His
uniqueness in the
field was recognized
by a MacArthur Award
in 2002.
As a solo classical
bassist, Mr. Meyer
has released a
concerto album with
the St. Paul Chamber
Orchestra featuring
Bottesini’s Gran Duo
with Joshua Bell;
Meyer’s Double
Concerto for Bass
and Cello with Yo-Yo
Ma; Bottesini’s Bass
Concerto No. 2 and
Meyer’s Concerto in
D for Bass along
with an acclaimed
album of Bach’s
Unaccompanied Suites
for Cello.
Fruitful
collaborations are
the cornerstone of
Mr. Meyer’s work.
The recently
released Music
for Two is the
latest collaboration
with banjoist Béla
Fleck and features
live performances
from the duo’s tours
together from
October 2001 to
September 2003. The
recording also
features a DVD with
footage documenting
the tour and the
development of their
collaboration on
specific works in
the program. Prior
to that, Mr. Meyer
joined with
violinist Joshua
Bell and legendary
bluegrass musicians
Sam Bush and Mike
Marshall to form a
quartet featuring a
unique fusion of
classical and
bluegrass musical
styles. Their first
performances were in
June of 1998 at the
Aspen Music Festival
and at Indiana
University. They
made their New York
debut at the Chamber
Music Society of
Lincoln Center
following an
extensive North
American tour. The
album, Short Trip
Home, released
in Fall 1999, was
nominated for a
Grammy award in the
category of Best
Classical Crossover
album and the group
was subsequently
invited to perform
live at the 42nd
annual Grammy
Awards. Shortly
before this
collaboration, Mr.
Meyer was involved
in an inventive trio
project with Béla
Fleck on banjo and
Mike Marshall on
mandolin, performing
original
compositions
marrying bluegrass,
classical and other
traditional styles.
In October 1997, the
Fleck/Marshall/Meyer
trio opened the
1997-98 season of
the Chamber Music
Society of Lincoln
Center in
conjunction with the
release of their
SONY disc,
Uncommon Ritual.
Earlier in Mr.
Meyer’s career, from
1986-1992, he was a
member of the
progressive
bluegrass band
“Strength in
Numbers,” whose
members included Sam
Bush, Jerry Douglas,
Béla Fleck, and Mark
O’Connor. Mr. Meyer
also works with
pianist Amy Dorfman,
his longtime
accompanist for solo
recitals, featuring
both classical
repertoire and his
own compositions. To
further explore his
interests in a
variety of musical
genres, Mr. Meyer’s
vast musical
interests have also
led him to be a
widely sought after
guest bass player
for an assortment of
recording artists,
such as Garth
Brooks, Bruce
Cockburn, Mary
Chapin Carpenter,
Hank Williams, Jr.,
Emmylou Harris,
James Taylor, Lyle
Lovett, T-Bone
Burnett, Reba
McIntyre, the Indigo
Girls, Travis Tritt
and the Chieftains.
An exclusive SONY
artist who is ever
involved in
imaginative
projects, Mr. Meyer
and colleagues Yo-Yo
Ma and Mark O’
Connor have been
widely acclaimed for
the Sony release of
Appalachia Waltz,
which soared to the
top of the charts
and remained there
for 16 weeks.
Appalachia Waltz
toured extensively
in the U.S., and the
trio was featured
both on the David
Letterman Show and
the televised 1997
Inaugural Gala.
Joining with Yo-Yo
Ma and Mark O’Connor
for a second time,
Appalachian
Journey, the
follow-up to
Appalachia Waltz,
was released in
March 2000. This
time, their tour
took them not only
to major venues
across the U.S. but
also to Europe and
parts of Asia.
Appalachian Journey
won the Grammy Award
for Best Classical
Crossover Album that
season. In October
1999, Mr. Meyer’s
violin concerto
written for
violinist Hilary
Hahn was premiered
and recorded by Ms.
Hahn with the St.
Paul Chamber
Orchestra led by
Hugh Wolff.
Mr. Meyer began
studying bass at the
age of five under
the instruction of
his father, and
continued further to
study with Stuart
Sankey. He is the
winner of numerous
competitions. In
1994 he became the
only bassist to
receive the Avery
Fisher Career Grant
and in 2000 became
the only bassist to
receive the Avery
Fisher Prize. Mr.
Meyer premiered his
bass concerto in
1993 with Edo de
Waart and the
Minnesota Orchestra,
and in 1995, he
premiered his
Quintet for Bass and
String Quartet in
collaboration with
the Emerson String
Quartet, which was
later recorded on
the Deutsche
Grammophon label.
Also, in 1995,
he premiered his
Double Concerto for
Bass and Cello, in
collaboration with
Carter Brey, cello
and Jeffrey Kahane
conducting the San
Luis Obispo Mozart
Festival Orchestra.
Mr. Meyer has also
performed with the
Boston Symphony
under Seiji Ozawa,
featuring the
premiere of one of
his own works, the
Meyer Double
Concerto for Bass
and Cello with Yo-Yo
Ma, and most
recently premiered
an exciting new
concerto for Banjo
and Double Bass with
co-composer Bela
Fleck and the
Nashville Symphony
Orchestra.
A
frequent guest at
music festivals, Mr.
Meyer has appeared
as performer and
composer at Aspen,
Tanglewood, Caramoor,
Chamber Music
Northwest, and
Marlboro. At the
Sante Fe Chamber
Music Festival, he
was a regular guest
from 1985-1993, and
composed six works
for the festival
during that time.
In 1994, Mr. Meyer
joined the Chamber
Music Society of
Lincoln Center and
continues to perform
regularly with this
ensemble. Currently,
he is also Visiting
Professor of Double
Bass at the Royal
Academy of Music and
at the Curtis
Institute of Music
in Philadelphia.
Date Last Edited:
11th February 2005
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Kathryn Eberle, violin
Kathryn Eberle,
whose playing has been
described as one with
“flawless technique and
passionate musicality,”
began her violin studies
on her third birthday.
Since then, this
twenty-three-year-old
has concertized in the
US and Europe and has
captured numerous awards
and competitions. Two of
her most recent honors
include the Grand Prize
in the 2004 Pasadena
Instrumental Competition
and Grand Prize in the
2005 YMF National Debut
Competition. Other
prizes include First
Place in the University
of Southern California
Concerto Competition;
First place in the
Montgomery (AL) Symphony
Young Artists
Competition; First Place
in the Curb
Records/Nashville
Symphony Competition;
and Silver Medal at the
Stulberg International
String Competition. She
was also a top
prizewinner at the
Irving M. Klein
International String
Competition in San
Francisco.
In April of 2006 Ms. Eberle will be
featured as soloist with
the Los Angeles
Philharmonic. She will
also solo with the YMF
Debut Orchestra in
May. Eberle made her
solo orchestral debut at
age 11 and has since
soloed with the
Nashville, Montgomery,
Sewanee, Middle
Tennessee, USC, Colburn,
and Colonial (NJ)
Symphonies as well as
the Starling Chamber
Orchestra of
Cincinnati. At the age
of seventeen, she gave
the world premier of
Michael Kurek’s Violin
Concerto with the
Nashville Symphony.
This past spring, Eberle
had the rare experience
of performing the
Vivaldi Concerto for Two
Violins in A minor
alongside the celebrated
violinist Jaime Laredo.
She has collaborated
with many distinguished
conductors including the
late Sergiu Comissiona,
the late Kenneth
Schermerhorn, Yehuda
Gilad, and Kenneth
Kiesler. Eberle has
given numerous recitals,
including performances
at the Harlem School of
the Arts, the Fontana
(MI) Chamber Arts Summer
Festival, as well as
guest appearances at
Baylor and Emory
Universities. She has
participated in the New
York String Orchestra
Seminar, The Encore
School for Strings where
she was awarded the Kay
Logan Chamber Music
Award, as well as the
Aspen, Banff, Missillac
(France), and Yellow
Barn Festivals.
Kathryn Eberle was a full scholarship
student at USC’s
Thornton School of Music
receiving the String
Department and Symphony
Awards upon graduation
in 2004. She is
currently pursuing an
Artist Diploma at the
Colburn School of
Performing Arts in Los
Angeles continuing her
studies with Robert
Lipsett. She has
previously studied with
Cornelia Heard at
Vanderbilt’s Blair
School of Music. Ms.
Eberle plays a J.B.
Vuillaume, Paris, 1870.
Katie Hyun, violin
Violinist Katie Hyun is
pursuing her Masters at
the State University of
New York in Stony
Brook. She currently
studies with Pamela
Frank, Ani Kavafian, and
Philip Setzer. She
studied with Aaron
Rosand and Pamela Frank
at the Curtis Institute
of Music where she
received her Bachelors
degree. Ms. Hyun
started violin at the
age of five and made her
recital debut in 1994.
She has performed as a
soloist with the Houston
Symphony, Dallas Chamber
orchestra, Concerto
Soloists Orchestra in
Philadelphia, the
Philadelphia Orchestra,
and "Up Close and
Musical," a string
orchestra composed of
members of the Colorado
Symphony.
Winner of
the Philadelphia
Orchestra Albert M.
Greenfield Student
Competition, she has
also won the 2004 Aspen
Academy Orchestra
Concerto Competition,
2003 Music Academy of
the West Concerto
Competition, 2000
Concerto Soloists Young
Artists Competition, the
1996 gold medal in the
Houston Symphony League
Competition, and the
Greater Dallas Youth
Orchestra Concerto
Competition at age 11.
Ms. Hyun has appeared on
a Prairie Home
Companion, NPR, with
bassist Nathan
Farrington. During the
summer, she has attended
the Weathersfield Music
Festival, Encore School
for Strings, Kneisel
Hall, Music Academy of
the West, Aspen, and
Taos Festival of Music.
Jared Turner,
viola
Jared Turner is a young
violist who is beginning
an exciting professional
career. He has
performed in orchestras
and as a chamber
musician in Orange
County & Los Angeles,
California; Austin,
Texas; Mill Creek &
Bellingham, Washington;
Dublin, Ireland;
Budapest Hungary;
Vienna, Austria; and
Prague, Czech Republic.
Recently he has
performed with the
Pacific Symphony and
Opera Pacific and was
named assistant teacher
for the Viola Workout.
He has been the
recipient of the 2003
Marshall F. Wells
Fellowship (University
of Texas at Austin), the
2001 & 2002 Chapman
University School of
Music Orchestra Award
and the 1999 & 2001
Rhodes Award Scholarship
(Chapman University).
He also enjoys teaching
viola and chamber music
and looks forward to a
future encompassing many
aspects of the music
world.
Soyeon Lee, piano
"Irresistible...
intelligence... utter
sincerity." These words
from the Cleveland Plain
Dealer help illuminate
the rare passion and
grace of pianist Soyeon
Lee. Indeed, her
rapturous playing has
brought numerous
accolades and successes
including a victory at
the 2004 Concert Artists
Guild International
Competition, as well as
Second Prize and the
Mozart Prize at the 2003
Cleveland International
Piano Competition. At
26, having already
worked with conductors
such as Jahja Ling,
Otto-Werner Mueller and
Rafael Fr?hbeck de
Burgos and orchestras
such as the Cleveland
Orchestra and London
Symphony, Ms. Lee
continues to bring her
unique power and
sensitivity to audiences
around the world.
Recently
described by The New
York Times as a pianist
with "a huge, richly
varied sound, a lively
imagination and a firm
sense of style," her
2005-06 itinerary
includes recitals in New
York, Connecticut,
Harrisburg, and
Pittsburgh, PA and
orchestral highlights
include Beethoven's
Emperor Concerto with
the Park Avenue Chamber
Symphony at Lincoln
Center's Alice Tully
Hall. Also, in fall
2005, she records her
first CD, featuring
sonatas of Scarlatti,
for the Naxos label.
Ms. Lee's
2004-05 season featured
recital performances at
Weill Recital Hall at
Carnegie Hall, Severance
Hall in Cleveland and
Madrid's Auditorio
Nacional de Musica.
Seasonal orchestral
highlights included her
debut with the San Diego
Symphony performing
Rachmaninoff's
Variations on a Theme by
Paganini under the baton
of Maestro Mueller.
In addition
to a management contract
and an appearance on
Concert Artists Guild
series in New York,
other prizes Ms. Lee
garnered at the CAG 2004
Competition include the
R.G. Niederhoffer
Audience Prize, The Park
Avenue Chamber Symphony
Concerto Prize and the
opportunity to
commission a new work
for solo piano. The
resulting work, Tree
Without Wind by emerging
composer Huang Ruo,
received its premiere in
March 2005 at Weill
Recital Hall at Carnegie
Hall.
In the spring of 2004 Soyeon Lee made her Lincoln Center
recital debut at Alice
Tully Hall as the
recipient of The
Juilliard School's
prestigious William
Petschek Piano Debut
Award. Additionally her
2003-04 season featured
a thirteen-city recital
tour of Spain, as a
result of her Bronze
Medal in the 2002 Paloma
O'Shea Santander
International Piano
Competition, in addition
to recitals at
University of Tennessee,
New York's Rockefeller
University and Emelin
Theater, and a concerto
performance with the
Orquesta Sinfonica
Nacional in the
Dominican Republic.
Ms. Lee's
appearances on radio
include WQXR New York's
McGraw-Hill Young
Artists Showcase,
Washington, DC's WGMS
and Cleveland's WCLV. A
classical music
documentary featuring
Soyeon Lee airs on the
Japanese television
network NHK this season.
Soyeon Lee
began studying piano at
the age of five in
Korea. She moved to the
United States at the age
of nine and attended the
Interlochen Arts Academy
in Michigan, graduating
with highest honors in
music. Her early
teachers included
Victoria Mushkatkol and
Marina di Pretoro. Ms.
Lee earned her
Bachelor's and Master's
degrees from The
Juilliard School,
studying with Jerome
Lowenthal and Robert
McDonald. Most recently
she earned Juilliard's
distinguished Artist
Diploma, studying with
Mr. McDonald, upon
completion of which she
was awarded with the
Arthur Rubinstein Prize,
Juilliard's highest
honor for graduating
pianists.
Kevin Kwan Loucks, piano
Pianist Kevin Kwan
Loucks maintains an
active career as a
soloist, chamber
musician, and music
educator. He has
performed in Lincoln
Center’s Alice Tully
Hall, Harris Concert
Hall, The Kennedy
Center, and Weill
Recital Hall at Carnegie
Hall. Recent solo
performances include
collaborations with the
Bratislava Chamber and
the U.C. Irvine Symphony
Orchestras, and a solo
recital in Prösels
Castle, Italy. A prize
winner in numerous
competitions, Mr. Loucks
most recently won the
grand prize at the 2004
Schlern International
Competition in Italy,
and first prize at the
National Piano-Duo
Competition in
California.
He has
performed chamber music
with members of the New
York Philharmonic and
principle members of the
Royal Concertgebouw
Orchestra, and is also a
founding member of the
Clarion Piano Trio,
established at The
Juilliard School in
2005. The trio won the
grand prize at the 2005
International Chamber
Ensemble Competition in
Boston, and will be
performing in Boston,
California, and New
York’s Barge music
series during the
2005-2006 season.
Mr. Loucks
has participated in
numerous festivals
including Chamberfest at
The Juilliard School,
Piano-fest Austria, the
Aspen Music Festival,
and Music@Menlo. He has
performed on NPR’s
Performance Today and
St. Paul Sunday, and
appeared in Lincoln
Center’s Wednesdays at
One. In 2005, he was a
member of the artist
faculty in residence at
ChamberArtsFest in
Irvine, California, and
also appeared in the
Music at the Grazhda
series in New York. Mr.
Loucks received his
Bachelor of Music degree
as Rawlins scholarship
recipient at the
University of
California, Irvine where
he was a student of Nina
Scolnik. He is currently
completing his graduate
studies at The Juilliard
School where he is a
Rose and Goldberg
scholarship recipient
studying with Julian
Martin.
Mihai
Marica, cello
Cellist Mihai Marica has
performed around the
world with orchestras
such as, the Stuttgart
Youth Orchestra, and
most recently, in South
Korea with the Daejeon
Philharmonic
Orchestra. In his
homeland, he has soloed
extensively with the
major orchestras such
as, the Transilvania
Philharmonic Orchestra,
and the National Radio
Orchestra. He has also
appeared in recital
performances in Austria,
Hungary, Germany, Spain,
Holland, South Korea,
the United States and
Canada. In the summer of
2003, he performed a
live recital for the
National Romanian Radio,
and has performed in
several festivals,
including the Banff
Music Festival and the
Great Mountains Music
Festival.
Mr. Marica
began his studies at the
age of seven at the
Music High School in
Cluj-Napoca, Romania,
and is currently
studying with renowned
cellist and pedagogue,
Aldo Parisot. At the age
of fourteen, he won the
First Prize and the
award for the
interpretation of a
commissioned work at the
J.F. Dotzauer
International Cello
Competition in Dresden,
Germany. Other prizes
include third place in
the Schadt String
Competition, where he
also received the
audience choice award.
Most recently, he
received the First
Prize, and the award for
the best performance of
a commissioned work by
Jeffrey Miller, in the
Irvin M. Klein
International String
Competition.
Upcoming
engagements include
recitals at the Kentucky
Center for the
Performing Arts, the
Ralston Concerts Series
at Notre Dame de Namurs
University, Belmont, CA.
He will also appear as
soloist with the Santa
Cruz Symphony and the
Peninsula Symphony,
among others.
The California Quartet Since
its formation in the
millennium year 2000,
the California Quartet
has emerged as one of
the most promising young
chamber ensembles of the
United States. Audience
response to the CQ is
always positively
tremendous. In
particular, the quartet
is noted for their
spirited musicality,
lyric and soulful
playing ability,
charismatic onstage
demeanor, and
interactive ensemble
style.
Passionate
and personable, the
members of the CQ
naturally bring the
audience and performer
closer through
thoughtful and
convincing musical
interpretations, and by
integrating lively and
relevant commentary
about each work they
perform. Besides
embracing and presenting
traditional quartet
repertoire, it is of
great interest to the
group to build audience
appreciation and
understanding of
twentieth and
twenty-first century
works. This commitment
to bringing new and
interesting ideas to
audiences has already
led to commissions by
professional composers.
For the
summer of 2005, the
quartet has been invited
to attend the Shouse
Institute at the Great
Lakes Music Festival,
the Lake Tahoe Music
Festival Academy, The
Yehudi Menuhin Chamber
Music Seminar, and the
Banff Art Centre Chamber
Music Seminar. Last
summer, the quartet
participated in the
Juilliard Quartet
Seminar in New York, the
Lake Tahoe Music
Festival Academy, and
the Banff Short-term
Career Residency
Program. In addition to
their numerous concert
appearances, the
California Quartet is
strongly committed to
school education and
outreach projects. Other
recent quartet projects
include the recording of
their first CD,
currently in the final
stages of production, as
well as an ongoing
collaboration with USC
faculty pianist Kevin
Fitz-Gerald.
The artists
of the California
Quartet collectively
perform, often in
principal positions, in
numerous professional
ensembles including the
Pacific Symphony
Orchestra, San Diego
Symphony, San Diego
Opera, Opera Pacific
Orchestra, and the San
Diego Chamber Orchestra.
Their educational
backgrounds include the
Juilliard School,
Manhattan School of
Music, Rice University,
and the University of
Southern California.
Individual musical
experiences are
far-reaching and include
performances with
violinist Mark O'Connor,
pianist Claude Frank,
principal players of the
Metropolitan Opera
Orchestra, solo electric
fiddle performances with
the Pacific Symphony
Orchestra, participation
in summer festivals such
as Tanglewood, Aspen,
Taos, Meadowmount,
Schleswig-Holstein, and
Spoleto, as well as
appearances in New
York's Alice Tully Hall,
Merkin Hall, the Barge
Music Series, and
Carnegie Hall. Members
of the California
Quartet have won Grand
Prize in the Coleman
National Chamber Music
Competition, First Prize
in the Ulrich
Competition, Second
Prize in the Fischoff
Chamber Music
Competition, and the
distinction of Finalist
in the Concert Artist's
Guild International
Competition.
The
California Quartet
comprises artists of
great individuality and
widespread artistic
backgrounds. In joining
musical forces, they
have found a single
point of inspiration in
which to blend their
talents and well-rounded
experiences. With
energetic intensity and
musical sincerity, the
California Quartet will
continue to delight
audiences across the
country.
Bridget Dolkas,
first violinist of the
California Quartet, is a
vibrant member of the
musical community in
Southern California.
She is the Principal
Second Violin of the
Pacific Symphony, and
frequently performs on
the orchestra’s popular
chamber music series,
Café Ludwig. In
addition, she is a
tenured member of the
San Diego Opera
Orchestra, and plays
with the San Diego
Symphony. Ms. Dolkas has
won First Place in the
La Jolla Symphony Young
Artist Concerto
Competition and the
Meadowmount Mozart
Concerto Competition, as
well as Finalist in the
UCLA Concerto
Competition. Her varied
musical background has
led to interesting and
diverse performance
opportunities, including
concerts with fiddler
Mark O’Connor, chamber
performances at La Jolla
Summerfest, electric
fiddle solos with the
Pacific Symphony, and an
appearance in an MTV
video. As a student of
Alice Schoenfeld, she
earned her BM degree at
the University of
Southern California and
also received the award
for Chamber Musician of
the Year. Ms. Dolkas
continued her studies
with Isaac Malkin and
completed a MM degree
from the Manhattan
School of Music. She is
currently a Doctoral
candidate at UCLA where
she studied with Mark
Kaplan. Ms. Dolkas
performs on a 1798 Lupot
violin that is on loan
through the Pacific
Symphony.
Emily Ondracek,
2nd violinist of
California Quartet. A
native of Chicago, Ms.
Ondracek started playing
the violin at the age of
5, and began giving
public concerts soon
thereafter. At 16, Ms.
Ondracek gave her solo
debut with the Chicago
Symphony Orchestra,
playing Vivaldi’s Four
Seasons Concertos. Since
that time, she has
performed throughout the
United States and
Europe, and at festivals
such as Aspen, Italy’s
Festival de Due Mondi,
and the Cleveland
Orchestra’s Blossom
Summer Music festival,
where she was awarded
the Joseph Gingold prize
for outstanding
performance. In New
York, Ms. Ondracek
frequently gives
recitals, recently
giving the debut of
Histoire de Babar for
violin and piano at the
Steinway Hall Recital
Series. This past fall,
she performed in a
hurricane benefit
concert with Herbie
Hancock. As a teacher,
Ms. Ondracek has
received the Morse
Fellowship, a grant for
resident teaching
artists in the New York
Public School system. A
certified Suzuki
instructor, she teaches
at School for Strings
and has given violin
workshops throughout the
country. Ms. Ondracek
received both her
Bachelor's and Master's
Degrees from The
Juilliard School, where
she studied with Maseo
Kawasaki. She currently
performs on a violin
made by Francois Pique
in 1815.
Christine Grossman,
violist of the
California Quartet,
maintains a career as
both an orchestral and
chamber musician in
Southern California. In
May 2005, she won
positions in both
Pacific Symphony and the
Opera Pacific Orchestra
and has been performing
regularly with the San
Diego Symphony and San
Diego Chamber Orchestra.
Ms. Grossman has
participated in numerous
summer music festivals
including The Quartet
Program at Bucknell,
Schleswig-Holstein Musik
Festival (Germany), Taos
Chamber Music Festival,
and Tanglewood Music
Center. Her vast
orchestral experience
includes Principal and
Assistant Principal
chairs in the Juilliard
Orchestra, Tanglewood
Music Center Orchestra,
Shepherd School
Symphony,
Schleswig-Holstein
Festival Orchestra, New
York String Seminar, and
the New World Symphony.
Raised in New York City,
Ms.Grossman began
playing the violin at
the age of 5, piano at
10, and viola at 16. As
a child, she made
several television
appearances, most
notably an MTV music
video, and performances
on PBS Sesame Street.
She received both her BM
and MM degrees from the
Juilliard School where
she studied with Heidi
Castleman, Misha Amory,
and Hsin-Yun
Huang.
Joy Song,
cellist of the
California Quartet,
has
performed concerts in
the United States,
Europe, Japan and Korea.
She is the first prize
winner in the California
Young Artists
Competition,
Southwestern Music
Festival, the John
Walker Competition, and
has performed concertos
with the San Diego Youth
Symphony and the
Claremont Young
Musicians Orchestra. She
is also the recipient of
the Rotary Club
scholarship as well as
the Juilliard Community
Service Fellowship. Joy
has served as principal
cellist in the Juilliard
Symphony and Juilliard
Orchestra, Claremont
Young Musicians
Orchestra as well as
assistant principal in
the New York String
Seminar and the
Schleswig-Holstein Musik
Festival Orchestra. Joy
earned a Bachelor’s and
Master’s Degree from the
Juilliard School,
studying with Joel
Krosnick and Harvey
Shapiro. Afterwards she
won a Fulbright grant
and spent one year in
Berlin, Germany,
studying with Troels
Svane at the Hochschule
für Musik “Hanns Eisler”
Berlin and receving a
Ferenc Fricsay Stipend
of the
Deutsches-Sinfonie
Orchester Berlin. In the
summer of 2005 Joy
toured with the DSO
Berlin where the
orchestra opened the
Salzburg Festival. Joy
has attended the Taos
Chamber Music Festival,
the Piatigorsky Seminar,
the Schleswig-Holstein
Musik Festival
Orchestral Academy,
Kneisel Hall Chamber
Music Festival, and the
Music Academy of the
West. |